Aurangabad To Ajantha

 Cave 1: was built on the eastern end of the horseshoe-shaped scarp and is now the first cave the visitor encounters. This cave, when first made, would have been in a less prominent position, right at the end of the row. According to Spink, it is one of the last caves to have been excavated, when the best sites had been taken, and was never fully inaugurated for worship by the dedication of the Buddha image in the central shrine. 

Cave 2: adjacent to Cave 1, is known for the paintings that have been preserved on its walls, ceilings, and pillars. It looks similar to Cave 1 and is in a better state of preservation. This cave is best known for its feminine focus, intricate rock carvings and paint artwork yet it is incomplete and lacks consistency. One of the 5th-century frescos in this cave also shows children at a school, with those in the front rows paying attention to the teacher, while those in the back row are shown distracted and acting.

Cave 3: a Vihara, was sponsored by Mathura, likely not a noble or courtly official, rather a wealthy devotee. This is the largest vihara in the inaugural group, which suggests he had immense wealth and influence without being a state official. It is placed at a significantly higher level, possibly because the artists realized that the rock quality at the lower and same level of other caves wa

Cave 4: is another unfinished monastery (15.24 × 24.64 m). For many decades in the 20th century, this cave was used as a storage and generator room. It is at the river level with easy access, relatively lower than other caves, and according to Archaeological Survey of India it is possibly one of the earliest monasteries. Much of its front is damaged, likely from a landslide. The cave excavation proved difficult and probably abandoned after a geological fault consisting of a mineral layer proved disruptive to stable carvings.